stonepicnicking_okapi: puzzle (puzzleicon)
Adjusting to the job, I am behind on...everything. I am still figuring out when to do things and how to engineer motivation to do things and how to prioritize and what things will have to be cut from to the to-do list permanently because there simply isn't as much free time as there was. So please bear with me (I am speaking to myself more than you because I have discovered over and over again that my friends are MUCH kinder to me than I ever am to myself).

Sunshine-Revival-Carnival-4.png

Journaling: The romance of summer! What do you love? Write about anything you feel sentimental about or that gets your heart pumping.
Creative: Write a love poem to anyone or anything you like


In 2023 and 2024, I did Fannish 50 so I have a nice list of things I like. Mysteries & detective stories, ghost stories, poetry, audiobooks, puzzles, collage, BTS, miniatures, art, libraries, coffee, chocolate, Christmas & Halloween, okapis & sea turtles, the ocean, the moon, tea, bees & honey, tarot, fireworks, autumn, Snoopy.

I watched the latest Venom movie last night. Parts of it were very good. I am glad they left The Girl out of it this time. I was glad Mrs. Chen got a beautiful cameo. I can't say it 'got my heart pumping' but I enjoyed it.

I finished the jigsaw puzzle below yesterday [Around the World in 50 Plants, 1000 pieces, art by Lucille Clerc, a decent puzzle, well-fitting pieces], and there is ALWAYS a satisfaction at putting the last piece in. Is it better than sex? My ace-spectrum self says YES. I also like poetry and this is poem #26 from Jo Bell's book 52: write a poem a week. Start now. Keep going. The prompt was erotica. I write PLENTY of explicit fic and have written explicit poetry, too, but I combined it with the journal prompt of the Sunshine Revival.

jigsaw by okapi

they spill into the lid. like shelling peas
like wheat from chaff. or sheep from goat.
soft noise, soft rhythm, fingers flick with ease
and satisfaction. bedlam’s antidote.

define fine boundaries and orient
the scene. an orgy. orifice and limb
are rife. there’s wanting and there’s turgescent
as error and trial make order of whim

But there. And there. And there. No. Yes. the frame
takes shape. union by union. head to tail
and tail to head. with time, the eye can name
the subtleties of hue and pattern scale

reward is the breath held ‘til the last piece
has found its way home, then sigh of release

stonepicnicking_okapi: otherwords (otherwords)
stupid motel fridge by okapi

I hear it. Doubt. Wait. Know. My refuge
Is anything but. It has found me.
The monster I have been running from
Is right here. In the room. With me. Now.
I listen. I hone in, creeping nearer,
Like one of those dull, topless slasher girls
Ineffably drawn to her doom.
The door resists at first, then rips
Like silver duct tape torn from the mouth
Of a hostage. Confirmed, justified,
fear and dread. T/here. Water where water should not be.
Falling. In drops. In wet rhythm.
Drip. Drip. Drip. Drip. Drip. Drip. Drip. Drip. Drip.

I can’t find a plug to yank.
I won’t invite a stranger
Into this. I know better. The dial
Clicks to clacks. Coolest. Off. Wait. Watch. Count.
Like Kabir’s moon and sun.
Then I am rolling terry cloth
To mop up the flood suspended on glass
And deaden the sound. Dead.en.sound.
I go back to bed. I get up
Again. Check. Go back. Listen
For noise I’ve made sure I won’t hear
Like the last girl standing before the credits roll.
stonepicnicking_okapi: carrots (carrots)
This weeks' prompt was: color. This is called an In Memorium stanza.

drupe by okapi

of orange-yellows, reds which leach
in blush upon the most sun-kissed
of rounded flesh, in velvet mist
enveloped, casting fog on each

and every curvature whose breach
reveals a more uniform gold
of corpus, sweet perfumes unfold,
attracting wasps and buyers, speech

is needless, scent alone can preach
its Good News, bushel baskets filled
to rolling, dark hearts hedged and grilled
by dark nettles which overreach

on pitting, nectar colors teach
the artist how to mix the rich,
the once-child to remember, stitch
a patch of farmer’s market peach
stonepicnicking_okapi: butterflycard (butterflycard)
So I am a week behind on my 52 poem challenge. Last week the prompt was to write a poem about a famous person (who is dead) and the focus is on a small incident in their lives. So I chose Rilke and found an anecdote about how he had received a business letter and was composing a response, pacing near the castle where he was staying, and the first line of the first of the Duino Elegies came to him. So that's what I wrote about.


Dear Sir: Regarding a matter which requires your urgent attention... by okapi

The letter arrived in the morning post.
The envelope was dull, the lettering
was careful and upright. The poet sighed.
He slit the shroud, unfolded the dead words,
and read and sighed again. It must be deal with.
Sums would be required. On paper too fine
for the purpose, he began then stopped, stood,
and left, marching from castle to bastions
overlooking the sea, he paced the length,
back and forth, as the strong bora wind blew,
his mind was full of numbers and figures,
back and forth, he paced, back and forth until—
he heard it
on the roar—
“Who, if I cried out, would hear me among the angels’
hierarchies
?”
by nightfall, there would be a birth, a verse
long-awaited as well as a piece
of correspondence, dull, careful, upright
left unanswered on the edge of a desk.


---

And here is the first stanza of the first elegy of the Duino Elegies

from The First Elegy by Rainer Maria Rilke [trans. Stephen Mitchell}

Who, if I cried out, would hear me among the angels' hierarchies?
and even if one of them pressed me suddenly against his heart:
I would be consumed in that overwhelming existence.
For beauty is nothing but the beginning of terror, which we are still just able to endure,
and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.
And so I hold myself back and swallow the call-note of my dark sobbing.
Ah, whom can we ever turn to in our need?
Not angels, not humans, and already the knowing animals are aware
that we are not really at home in our interpreted world.
Perhaps there remains for us some tree on a hillside, which every day we can take into our vision;
there remains for us yesterday's street and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.
Oh and night: there is night, when a wind full of infinite space gnaws at our faces.
Whom would it not remain for--that longed-after, mildly disillusioning presence,
which the solitary heart so painfully meets.
Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.
Don't you know yet?
Fling the emptiness out of your arms into the spaces we breathe;
perhaps the birds will feel the expanded air with more passionate flying.
stonepicnicking_okapi: otherwords (otherwords)
This week's poem prompt was a prose poem with guidelines and structure.

#22 by okapi

When I reached the edge of the desert, I saw lights, cameras, overlarge plastic containers, and ants. It was as if earth, fine and granular, had become water, and water did not exist and had to be invented, yet air persisted in whipping and cried grainy tears when its waves did not crash like they should. You told me it was nothing special, but the war against the elements, the fans, the umbrellas, the misters and de-misters, told me you lied. Couldn’t imagine? You do me an injustice. I can imagine everything. Animal, vegetable, mineral. Horrible, banal, sublime.

When I reached the edge of the desert, I saw another desert because there is no such thing as destination or arrival or satisfaction. Not for the likes of me. It was as if I were wandering purposeless forever, but at least the scratches fade. Some scars erode, and others are half-hidden by shifting dunes. You told me everything would be fine. Liar. You didn’t know. You did your best. I couldn’t imagine half a century, but there it went like precocious child star become barely legal become sexpot become vixen become MILF become grandma become the bones beneath the blooming desert rose.

When I reached the edge of the desert, I saw my pen had run out of ink and my penmanship was horrid and I was ignorant of the animals, vegetables, and minerals I should encounter. It was as if a drunken scarab beetle had crawled across the page, swerving, swearing, dropping its housekeys in a vain effort to call it a night and sleep it off in the margins. You told me not to slouch. You told me it wasn’t your fault. I couldn’t go back if I tried. The best is yet to come. Just ask the ants.
stonepicnicking_okapi: otherwords (otherwords)
Field Guide by Tony Hoagland

Once, in the cool blue middle of a lake,
up to my neck in that most precious element of all,

I found a pale-gray, curled-upwards pigeon feather
floating on the tension of the water

at the very instant when a dragonfly,
like a blue-green iridescent bobby pin,

hovered over it, then lit, and rested.
That’s all.

I mention this in the same way
that I fold the corner of a page

in certain library books,
so that the next reader will know

where to look for the good parts.

-------

My prompt was 'insects' and technically worms aren't insects, but they are in a section of Hamlet with maggots and that's how I came by them. I tried to do a poem in the manner of the one above. The title and references are from that section of Hamlet (Act 4, Scene 3).


we fat all creatures else to fat us by okapi

worms, those that feast on beggar and on king,
Hamlet’s only emperor for diet, his certain convocation

of politic, the ones who supped on Polonius, the ones that baited
hooks so that kings might progress through the guts of beggars,

twice coated, by slime and by scale, these worms
did not note the variable service of fat and lean,

and never once did they shove a fist of too many plastic
wrappers

to the bottom of the bin
and wince

at the crinkling
stonepicnicking_okapi: otherwords (otherwords)
[This is modeled after "Pantoum of the Great Depression" by Donald Justice and the prompt was: name.]

Stacy by okapi

I have the better name, I think,
Wheeling the cart into the lane,
As she waits and I steer clumsily. There. Her badge.
I unload cans of beans and bananas.

Wheeling the cart into the lane,
She says ‘Hi!’ I want to snatch her badge as
I unload cans of beans and bananas.
Just reach across and grab it off her chest.

She says ‘Hi!’ I want to snatch her badge as
I pretend to be normal. I pretend that I do not want to
Just reach across and grab it off her chest.
I say ‘Hi,’ too, and push the empty cart through.

I pretend to be normal. I pretend that I do not want what
I want. A badge, a smock, a thick wrist brace.
I say ‘Hi,’ too, and push the empty cart through
And out the other side. On the conveyor belt,

I want a badge, a smock, a thick wrist brace.
“Oh, I didn’t know,” she says, tapping my pink sugar shame in
And out the other side on the conveyor belt
Of late-stage capitalism, “That they made these. Cute.”

“Oh, I didn’t know,” she says, tapping my pink sugar shame with
a well-manicured nail. What? That we are the same pawn
Of late-stage capitalism? That they made these cute?
Same doughy face, same frizzled hair, same save for

a well-manicured nail. What we are: the same. Pawn-
awkward patter, fleecy chatter,
same doughy face, same frizzled hair, same save for
our sides of the cart. But then, even

Awkward patter, fleecy chatter
Must come to an end. I know that one last look at
our sides of the cart. But then even
the cart is full again and rolling towards the door

It must come to an end. I know that. One last look. And
As she waits and I steer clumsily. There. Her badge.
The cart is full again and pointing towards the door.
I have the better name, I think.

And that is no consolation, except in poetry.
stonepicnicking_okapi: otherwords (otherwords)
Turtles: a cinquain by okapi

turtles
sunning themselves
on a limb in the lake
running past, I count them, seven
spring-signs

Birdsong: a rondelet by okapi

in the morning
the poet says listen for birds
in the morning
listen to them, here them forming
before open eyes, before words,
a bright chorus, in trills and thirds,
in the morning
stonepicnicking_okapi: otherwords (otherwords)
A haiku and a concrete poem

Coffee Spoon by okapi

stonepicnicking_okapi: black coral (matissebnw)
Title: This is a boy cleaning a pot
Fandom: Original
Rating: Gen
No. of lines: 8
Poetic form: samsong (short, variation on)
Prompt:
Summary: a samsong about a boy drawing

This is a boy cleaning a pot
This is a boy cleaning a pot, crouched in a squat
This is a boy cleaning a pot, crouched in a squat, who doesn’t want to be caught
This is a boy cleaning a pot, crouched in a squat, who doesn’t want to caught doing what he should not
This is a boy cleaning a pot, crouched in a squat, who doesn’t want to be caught sketching with a cinder clot
This is a boy not cleaning a pot, but still crouched in a squat, illustrating a plot
This is a boy not cleaning a pot, admiring what hand and eye and ash have wrought
This is a boy, caught, and, still in a squat, once more, cleaning a pot
stonepicnicking_okapi: black coral (matissebnw)
Title: City in the rain
Fandom: Original
No. of Lines: 8
Prompt:
Summary: a poem about a city and the reflections produced in puddles during a storm.

City is a thing with many feet,
hurrying,
under neon gods, worshiping with neat
scurrying.
Rain-polished stones reflect
that other place
like city, but blurred, where none expect
a frantic pace
stonepicnicking_okapi: cooking (xmascooking)
Title: Christmastime
Fandom: Original
No. of Lines: 8
Poetic form: Ottava rima
Rating: Gen
Prompt:
Summary: An ottava rima about a couple at a Christmas market.

your big black umbrella opens, but we’re
too happy, too in love, it’s Christmastime
bright strings of lights and mugs of warm, spiced cheer,
and fat lazy flakes falling, Christmastime
of baking, taking too much time, it’s here,
it’s really here, we cry, it’s Christmastime
we’re crowding the stalls and fir tree market
just to take it in, to laugh and hark it
stonepicnicking_okapi: black coral (matissebnw)
Title: When it's over
Fandom: The Murderbot Diaries - Martha Wells
Poetic form: triolet
No. of Lines: 8
Rating: Gen
Prompt:
Summary: If Murderbot can just crawl through this duct...

when it’s done, I’ll watch an episode of
the Rise and Fall of Sanctuary Moon
.
I say as I crawl, walls below, above,
when it’s done, I’ll watch an episode of—
through the duct maze, for mission, not (ew!) love
Stupid humans, I say as I crawl, soon,
when it’s done, I’ll watch an episode of
the Rise and Fall of Sanctuary Moon.
stonepicnicking_okapi: otherwords (otherwords)
On the Fridge Door by okapi

Everything, I reply automatically, as I wipe the sink, scooping up the

bits of regurgitated dinner the dishwasher refuses to

digest, my worth, my body, my sanity, my ambition, my money, even my name.

I’ve lost everything. But as I take the four steps from the trash bin back to

the sink, I spot Degas’ Little Dancer and Wyeth’s Open Window.

There is Hamlet, of all things. And cross-hatched Holmes and Watson. There is

Consider the Possible Consequences if You are Careless in Your Work!

And a chihuahua in a devil costume asking: Were you expecting

Little Red Riding Dog? There are redwoods. There is a French woman

playing golf. There is a saint whose name and function I can’t

remember (lost items or lost causes). There is Hope on the Street.  

Among the schedules and the calendars and the year after

year (after year) of photos of numbered uniforms, among the potential

playdates and the 911 reminders.  

Oh, I realize, there I am.


stonepicnicking_okapi: otherwords (otherwords)
Title: Artifice
Rating: Gen
No. of lines: 8
Poetic form: acrostic
Prompt:
Summary: a surreal scene in a virtual world


a capitulation to temptation started this
rationality, gravity departed this
theatre of urban surreal, uncharted this
inverted, invented neon metropolis
fantastic, dangling over steel-chrome precipice
illusory, delusory, imparted this
crass graffiti grin, scribbled, swagger-hearted this
enterprise comprised of virtual somnolence
stonepicnicking_okapi: after the funeral (afterthefuneral)
Title: Pernickety Poisoner
Fandom: Original
Poetic form: Abecedarian
Rating: Gen
No. of lines: 28
Prompt: Persnickety
Summary: An abecedarian about how nothing in the persnickety's poisoner's cabinet is of any use! So vexing!

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
Title: Gandhi
Fandom: Original
Poetic form: kyrielle (a variation on)
No. of Lines: 28
Prompt: Ambitious
Rating: Gen
Summary: a variation on a kyrielle about the life of Gandhi

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
Title: Choice Piece of Heart
Fandom: Original
Rating: Gen
No. of Lines: 28
Prompt: Compassionate
Notes: a poetry remix of a gen-rated animal AU fic of mine in the BBC Sherlock fandom where Sherlock is a raven and John is a wolf: The Wolf Bird. Also a fill for [community profile] fffc: Little Special 216: Found Poetry
Summary: a raven shows compassion to an injured wolf

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
Title: An Assay on Time
Prompt: Efficient
No. of Lines: 28
Rating: Gen
Poetic form: carol stanza
Summary: an assay (kind of a brainstorming poem) about the nature of time

Time flies like an arrow
Fruit flies like a rotten plum in harrow


Efficiently the clocks
Make time by multiplying nicks and knocks,
Dispensing ticks and tocks.
Time flies like an arrow!

For play, for bed, for tea,
For story and for losing merrily
Forgotten history
Fruit flies like a rotten plum in harrow!

The present is a gift.
Fine sands in the hourglass spend and shift
set best-laid plans adrift.
Time flies like an arrow!

Pleas to self: don’t forget!
But we do. We always do. And regret
is doing time unmet.
Fruit flies like a rotten plum in harrow!

there’s stitching and saving
there’s killing, wasting, waiting, and craving
carving and engraving
Time flies like an arrow!

How much more have we got?
But if it’s just an illusion, ought
we to care if we’re caught?
Fruit flies like a rotten plum in harrow!

Time flies like an arrow!
Fruit flies like a rotten plum in harrow!
stonepicnicking_okapi: lilies (lilies)
Title: Indulgent
Prompt: Indulgent
No. of lines 28
Rating: Gen
Summary: a free form poem inspired by looking at the night's sky

the fairy lights serve no purpose.
they don’t illuminate. they don’t
enlighten. they glow (when I remember
to turn them on). pastel flowers,
something between lotus and rose,
they shine until they dim, they hang
in waist-high firmament under
the window, suspended, a spring-
like bough, under the sill on which
rest piles of seashells and a conch
and a statue of the Virgin
of Medjugorje, indulgent
and forgiving, gifts of the sea.

raise the blind, ignore the neighbors
and the dirty glass, and the screen

the night is always too wonderful
the stroke of indigo between
the darkness and light pollution;
the moon, whether absent or full,
or, like tonight, crescent and smudged
with clouds; the tilting of the head
required to partake; the stillness;
airplanes and satellites and stars.
could I be any more poet?
standing here, looking out, counting
the syllables in firmament,
indulgent, purposeless, just like
lights I’ve forgotten to turn on

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