stonepicnicking_okapi: otherwords (otherwords)
I love an ekphrastic and this is proof that poetic forms we might think of as nothing but wordplay or for children (e.g., abecedarians or acrostics) can be very sophisticated and serious.

Leaving the Psychologist: An Abecedarian Ekphrastic by Grisel Y. Acosta

after Remedios Varo’s Mujer saliendo del psicoanalista

another face has sprouted in my chest
beastly, that’s me, a super freak
cavorting with your skull in my grasp
displaced personalities cannot be cloaked
ever, they will grow like a haunted
fever of wispy hair
gathered in a basket, along with time, a
half-filled vial of poison &
illusions of tick-tock-clocking syringe
just let me explain:
killing myself is not an option
let me try to live with my
multiple personas and their infinite masks, why
not weave them into a poncho
of chartreuse green, grow them,
pouch them, wear them like horns
question my memories, befriend
radical thoughts and nightmares
solemn my specters behind
tenuous doors with intimidating bells
understand the unexplainable, develop
venom as Tilda Swinton couture
when dreams become a snail shell planted
X, marks the spot of this treasure I shall reveal,
yell on a mountain, YES, this is mine, I will
zap my fears—I can face all the faces, darling, of course I can

--

This is the work of art which inspired the piece:

varo painting
stonepicnicking_okapi: after the funeral (afterthefuneral)
Title: Pernickety Poisoner
Fandom: Original
Poetic form: Abecedarian
Rating: Gen
No. of lines: 28
Prompt: Persnickety
Summary: An abecedarian about how nothing in the persnickety's poisoner's cabinet is of any use! So vexing!

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
Title: Gandhi
Fandom: Original
Poetic form: kyrielle (a variation on)
No. of Lines: 28
Prompt: Ambitious
Rating: Gen
Summary: a variation on a kyrielle about the life of Gandhi

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
Title: Choice Piece of Heart
Fandom: Original
Rating: Gen
No. of Lines: 28
Prompt: Compassionate
Notes: a poetry remix of a gen-rated animal AU fic of mine in the BBC Sherlock fandom where Sherlock is a raven and John is a wolf: The Wolf Bird. Also a fill for [community profile] fffc: Little Special 216: Found Poetry
Summary: a raven shows compassion to an injured wolf

Read more... )
stonepicnicking_okapi: otherwords (otherwords)
What I am appreciating most about the poem-a-day is the little blurb after the poem about the poem. The first poem was inspired by the second.

alameda point by David Maduli

—after lucille clifton

the estuary opens to the bay
and the bay stretches into the pacific and so on
therefore and such-and-such,
none of them empty or full
in the way no frame can minimize nor contain horizon—
yet the ocean can be it, even when sky
and sea are the same late summer gray
they blend together erasing, making
each other. the humpback whale
breaching the slate screen is the only
one who knows the tension between.
here arrive two children winding bikes
on the path to the point passing succulents
and ground squirrels, and three pelicans
follow in spinning dives to slash
down on this estuary guarded
by gurgling sea lions. the children
collecting rocks and examining mussel shells,
millennia in their hands, nod to each other and laugh
racing childhood to the pier’s edge.

the mississippi river empties into the gulf by Lucille Clifton

and the gulf enters the sea and so forth,
none of them emptying anything,
all of them carrying yesterday
forever on their white tipped backs,
all of them dragging forward tomorrow
. it is the great circulation
of the earth's body, like the blood
of the gods, this river in which the past
is always flowing. every water
is the same water coming round.
everyday someone is standing on the edge
of this river, staring into time,
whispering mistakenly:
only here. only now.
stonepicnicking_okapi: record player (recordplayer)


And a poem!

Dressing the Body by Brittany Rogers

We—Detroit girls, Daughters of Motown—
knew before we saw the bronze casket

that Aretha would be dressed down;
some—Non-believers, Outsiders—

called it frivolous: two-day
viewing; eight-hour long service;

four outfit changes, each dress
more elaborate than the last.

Beautiful, beautiful gowns—accessorized
from jewels to pointed heels. I half-

expect her to break out a side eye
belt out a hymn to remind us

who the Queen is. There is,
of course, no such performance,

though we all huddle like crows,
waiting to see if she still looks

like herself. There is a protocol to this,
a right way to send

someone back to the lap of God.
Wearing their Sunday best.

So fancy they can be
mistaken for a bride.
stonepicnicking_okapi: otherwords (otherwords)
Title: An Assay on Time
Prompt: Efficient
No. of Lines: 28
Rating: Gen
Poetic form: carol stanza
Summary: an assay (kind of a brainstorming poem) about the nature of time

Time flies like an arrow
Fruit flies like a rotten plum in harrow


Efficiently the clocks
Make time by multiplying nicks and knocks,
Dispensing ticks and tocks.
Time flies like an arrow!

For play, for bed, for tea,
For story and for losing merrily
Forgotten history
Fruit flies like a rotten plum in harrow!

The present is a gift.
Fine sands in the hourglass spend and shift
set best-laid plans adrift.
Time flies like an arrow!

Pleas to self: don’t forget!
But we do. We always do. And regret
is doing time unmet.
Fruit flies like a rotten plum in harrow!

there’s stitching and saving
there’s killing, wasting, waiting, and craving
carving and engraving
Time flies like an arrow!

How much more have we got?
But if it’s just an illusion, ought
we to care if we’re caught?
Fruit flies like a rotten plum in harrow!

Time flies like an arrow!
Fruit flies like a rotten plum in harrow!
stonepicnicking_okapi: lilies (lilies)
Title: Indulgent
Prompt: Indulgent
No. of lines 28
Rating: Gen
Summary: a free form poem inspired by looking at the night's sky

the fairy lights serve no purpose.
they don’t illuminate. they don’t
enlighten. they glow (when I remember
to turn them on). pastel flowers,
something between lotus and rose,
they shine until they dim, they hang
in waist-high firmament under
the window, suspended, a spring-
like bough, under the sill on which
rest piles of seashells and a conch
and a statue of the Virgin
of Medjugorje, indulgent
and forgiving, gifts of the sea.

raise the blind, ignore the neighbors
and the dirty glass, and the screen

the night is always too wonderful
the stroke of indigo between
the darkness and light pollution;
the moon, whether absent or full,
or, like tonight, crescent and smudged
with clouds; the tilting of the head
required to partake; the stillness;
airplanes and satellites and stars.
could I be any more poet?
standing here, looking out, counting
the syllables in firmament,
indulgent, purposeless, just like
lights I’ve forgotten to turn on
stonepicnicking_okapi: otherwords (otherwords)
Below, in the cut, I am including Section I of Louise Glück’s October which inspired this poem.

The Owl by Gia Anansi-Shakur

after Louise Glück’s “October”

Violence has changed
me something beautiful
worldly, not comfortable
living in a mouth
Read more... )
stonepicnicking_okapi: beach (beach)
Title: Reclaim
Poetic form: terza rima sonnet
No. of lines: 14
Rating: Gen
Prompt:
Summary: a terza rima sonnet about an island reclaiming itself after a crime

even before evil strikes, island sands
are lifting. as death assails, as horror stills
dead air, fine grains are shifting. a boat lands.

black boots imprint, clomp-pace, stomp-trample. wills
exert themselves: measure, collect, record
as flying grit abrades, as soft dune-hills

extend themselves inland, onto floorboard,
past threshold. silt alive, hungry in reach.
inquiries conclude. departures afford

unimpeded campaign to smooth each breach,
erase each edifice, to break each frame,
to bury all. seabirds above the beach

bear witness to the canvassing, they name
it in their echoed cries: reclaim! reclaim!
stonepicnicking_okapi: otherwords (otherwords)
Title: Blood from Stone
No. of Lines: 14
Rating: Gen
Poetic form: Italian sonnet
Prompt:
Summary: An Italian sonnet about stones which don't like someone interrupting their nice sunrise.

worn stones older than bones greet dawning day
heralding this sunrise like all before
though weathered by time, timeless in their core,
rings within rings, like teeth, they stand, they say,
hello to earth’s own tilt and turn, the way
that birdsong does, circles encircling lore,
awash in light, in rose, in gold, in more
hues than have names yet theirs is ever gray

but who is this intruding on their peace?
an interloper scurries into view
no doubt, it’s out to get what it can get
to take, to taint, to despoil, without cease,
the stones have ever known just what to do,
jaws snap, cleaving molars clamp round the threat
stonepicnicking_okapi: otherwords (otherwords)
Sonnetto Rispetto in Praise of Literary Devices by okapi

the last carried away by ants, the power
of words at heartbeat until breath expires,
a pocket watch which tells more than the hour,
inflection, misdirection, wit which fires
wonder, a nemesis in pale pink wool,
descriptions which show-and-tell, prank-and-pull,
confirmed opinion of the Church of Rome,
and endings which stick, and clues which come home

for the breadth of an Ave Maria
a respite from the everyday, mundane
at play, anodyne and panacea
what’s gnawing inside is given a name
and maps and diagrams of Pangaea
and contranym, the same and never-same

Alma Perdida by Valéry Larbaud [trans. by Ron Padgett and Bill Zavatsky]

To you, vague aspirations, enthusiasms,
Thoughts after lunch, emotional impulses,
Feelings that follow the gratification
Of natural needs, flashes of genius, agitation
Of the digestive process, appeasement
Of good digestion, inexplicable joys,
Circulatory problems, memories of love,
Scent of benzoin in the morning tub, dreams of love,
My tremendous Castilian joking, my vast
Puritan sadness, my special tastes,
Chocolate, candies so sweet they almost burn, iced drinks,
Drowsy cigars, you, sleepy cigarettes,
Joys of speed, sweetness of being seated, excellence
Of sleeping in total darkness,
Great poetry of banal things: news items, trips,
Gypsies, sleigh rides, rain on the sea,
Delirium of feverish nights, alone with a few books,
Ups and downs of temperature and temperament,
Recurring moments from another life, memories, prophecies,
O splendors of the common life and the usual this and that,
To you this lost soul.


The Way We Live by Kathleen Jamie

Pass the tambourine, let me bash out praises
to the Lord God of movement, to Absolute
non-friction, flight, and the scarey side:
death by avalanche, birth by failed contraception.
Of chicken tandoori and reggae, loud, from tenements,
commitment, driving fast and unswerving
friendship. Of tee-shirts on pulleys, giros and Bombay,
barmen, dreaming waitresses with many fake-gold
bangles. Of airports, impulse, and waking to uncertainty,
to strip-lights, motorways, or that pantheon -
the mountains. To overdrafts and grafting

and the fit slow pulse of wipers as you're
creeping over Rannoch, while the God of moorland
walks abroad with his entourage of freezing fog,
his bodyguard of snow.
Of endless gloaming in the North, of Asiatic swelter,
to launderettes, anecdotes, passions and exhaustion,
Final Demands and dead men, the skeletal grip
of government. To misery and elation; mixed,
the sod and caprice of landlords.
To the way it fits, the way it is, the way it seems
to be: let me bash out praises - pass the tambourine.
stonepicnicking_okapi: otherwords (otherwords)
Title: Touch
Rating: Gen
Poetic form: ghazal
No. of lines: 14
Prompt:
Summary: a ghazal about handholding on the playground

Touch by okapi

through frayed denim gash, cold air lingers much
and pokes worn underwear as fingers touch

cream-colored cabled wool cat-claws raw skin
each honeycomb akin to stinger’s touch

in grey, in black, fleece soothes and snaps, coos and
zaps like lithium, like moodswinger’s touch

a beat of hesitation: who’s watching us?
flinching memory of right-winger’s touch

then hands join in playground pinkie-swear
and why should they not? a gunslinger’s touch

cold chains, cold swings, cold monkey bars, cold slides
warm laughter, warm smiles, joy’s deadringer’s touch

then eyes share what fingers share what hearts share:
a look, a piece to rhyme, to sing her touch
stonepicnicking_okapi: otherwords (otherwords)
Title: Altamont in Paris
Rating: Teen for dark themes (murder, serial murder, made-up corpses)
No of lines: 14
Poetic form: Bref double
Prompt:
Notes: Lines taken from "The Mirabeau Bridge" by Guillume Apollinaire [trans. by W.S. Merwin] I have included this poem (both the translation and the original French) below mine.
Summary: A spy comes across a crime scene and uses it to his advantage.

Altamont in Paris by okapi

Night comes the hour is rung for Mister Altamont
who is taking cover under Mirabeau Bridge.
Disturbing lies and spies, schemes and dreams, the Seine calls
an unforeseen dance, a chance rendezvous with fate.

Hand within hand, the lovers are blind to all, but death
has left a grotesque rouge on cheeks, a carmine haunt,
and stains of walnut leaves about unblinking lids
burnt cloves and troves of pearly sheen gild love’s last wait

And hope is so violent a thing. Altamont palls
before the scene, lined in fine soot, arranged in strange
folie à deux, but only for a breath, these deaths
absurd might serve to deconcoct affairs of state

The days pass the weeks pass and are gone. Murders taunt
multiply in disguise, distracting wicked dolls.

The Mirabeau Bridge & Le pont Mirabeau )
stonepicnicking_okapi: otherwords (otherwords)
This is prompt #7 of the 52 series by Jo Bell: sport.

Runner's That'll-Do by okapi

April morning, the familiar path bends
as geese watch and winds slap and spit and blow
pink petals in scattershot odds and ends
by plodding footfall, reluctant and slow,

as boredom sets in, tiny beeps compete
for attention with stop-motion fur-tails,
a dead fish, and worms, which jog-slogging feet
sidestep, avoiding slippery entrails

a second wind is met by plump birdsong
and ebbing of protest (now the end is near)
at last, the ache arrives, the former wrong
made right by tired feet which persevere

no high, but a certain satisfaction,
to prove, to move, inertia to action
stonepicnicking_okapi: lilies (lilies)
April is National Poetry Month in the US. I am already seeing lovely poems on my feed.

The Academy of American Poets has a poem-a-day series. (https://poets.org/poem-a-day) For April, I am signed up to get the day's poem sent to my inbox or you can just check the poem-a-day page on the website. Here is today's poem and the poem which inspired it. Note: the formatting is not right here. Go to the poem on the Poets.org site to see the true formatting. https://poets.org/poem/magnitude-and-bond-0

Magnitude and Bond by Cortney Lamar Charleston

after Gwendolyn Brooks

that which is betwixt us of the lampooned lips and noses
indissoluble as blood impassioned by a serene swatch of sky—

envy of the blessing of birds and the divine shadow
cast to provide protective canvas for our bones of calcified light

the chains that wore us in the fashion of diamond-studded pendants
and the names that the ocean omitted from history with a wave

Rest of poem + Paul Robeson by Gwendolyn Brooks )
stonepicnicking_okapi: otherwords (otherwords)
This also ties in with yesterday's jazz post.

I was asked by [personal profile] goodbyebird in 5 questions as part of the 3 Weeks 4 Dreamwidth celebration if I'd come across a poet (new to me) I liked, and so I set out to find one and I enjoy this poet William Matthews. Unfortunately, I can't find cut-and-pastable versions but the other poems I liked are Last Words and A Telegram from the Muse.
 
Mingus at the Show Place by William Matthews

I was miserable, of course, for I was seventeen,
and so I swung into action and wrote a poem,

and it was miserable, for that was how I thought
poetry worked: you digested experience and shat

literature. It was 1960 at The Showplace, long since
defunct, on West 4th St., and I sat at the bar,

casting beer money from a thin reel of ones,
the kid in the city, big ears like a puppy.

And I knew Mingus was a genius. I knew two
other things, but they were wrong, as it happened.

So I made him look at the poem.
“There’s a lot of that going around,” he said,

and Sweet Baby Jesus he was right. He laughed
amiably. He didn’t look as if he thought

bad poems were dangerous, the way some poets do.
If they were baseball executives they’d plot

to destroy sandlots everywhere so that the game
could be saved from children. Of course later

that night he fired his pianist in mid-number
and flurried him from the stand.

“We’ve suffered a diminuendo in personnel,”
he explained, and the band played on.
stonepicnicking_okapi: after the funeral (afterthefuneral)
Title: Gamy
Prompt: gamy
Fandom: The Silence of the Lambs (1991)
Rating: Gen
No. of lines: 14
Poetic form: Italian sonnet

from a pool of warriors, one lot is drawn
to slay the slayer, twisted and stunted,
predator and prey, hunter and hunted,
engage in a test of nerve, smarts, and brawn,
each piece is double-sided, so queen/pawn
proceeds though path blind and compass blunted
and guide, evil only briefly shunted
toward nightmare which breaks on bloody dawn

raw fear is a salt used by very few
its tang known by most in form spare and mild,
but the mad chef has a lamb to tame, he
sprinkles it liberally and turns into
an apex threat uncaged, hungry, and wild,
enjoying a kill which tastes rather gamy
stonepicnicking_okapi: andy (andy)
Title: Baklava
Fandom: The Old Guard
Poetic form: Italian sonnet
Rating: Gen
No. of lines: 14
Prompt: flaky

a gift is presented, wrapped and tied,
the union of love and sport, it is test
and token, a modern-day bid to best
an ancient tongue, a memory plied
of hazelnut, not walnut, a sweet guide
to flax seed and pomegranate zest
and layer upon flaky layer pressed
until origins are identified

but eastern Turkey has had many names
and there’s been many honeys on these lips
the recipe’s passed on, it lives, as do
immortal aches, immortal pains and claims
on time’s long burden, on rosewater sips
from petals long since died and friends so few

This is the scene that the poem is based on: when the lads bet to see if Andy can tell where the baklava is from just by the taste.

stonepicnicking_okapi: candle (candle)
Title: Cross the river bravely
Fandom: Original
Rating: Gen
No. of Lines: 14
Prompt: brave
Notes: This is a spiritual poem based on a passage from The Dhammapada, which is a collection of sayings by the Buddha. The phrase from the work (as translated by Sri Eknath Easwaran) is: cross the river bravely, conquer all your passions, go beyond the word of fragments, and know the deathless ground of life.

Read more... )

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